Fortune Publishing · The Lafferty Series

Get MeLafferty!

How a Legend Invented on a Dublin Stage Came to the Rescue of Paris

A novel by Frank! · Coming Soon

Overture

The Story

On a November night a black carriage comes down Whitmore Lane in Dublin and stops at the cottage of Arthur Lafferty, an attorney who does not try cases. A man in a pinstriped morning coat hands him a case of reptile leather, eighteen inches long, with ivory beads across it and brass buckles at the closure. There is no invoice and no receipt. Inside is a brass spyglass of seven sections.

At the Gaiety Theatre the actress Dora Jordan raises a torch and tells the house a tale of the great Lafferty. By midnight every pub in Dublin has its own. Arthur’s son James grows up in the third seat from the aisle, learning every play by heart.

James carries the spyglass to the Great Exhibition of 1851, to a firm on Market Street in Philadelphia, and at last to Paris under siege, where the photographer Nadar, the microphotographer René Dagron and a typesetter named Jules Verne are trying to bring the city its mail by balloon and by pigeon.

The Delivery and the Reptile Leather Case
The Delivery and the Reptile Leather Case
Dora Jordan and the Lafferty Legend

By Midnight, Dublin Was Telling It

The Legend

Press the button. Every Dubliner has a better Lafferty story than the last man.

The Gaiety Theatre, Dublin

A centurion from the second act seized the torch and swore upon his pasteboard breastplate that he had served beside Lafferty in Gaul, where the great man had accepted the surrender of an entire legion using only a raised eyebrow and a writ.

1 / 8

The Costume the Papers Gave Him

The Man Who Flew With Hummingbirds

“He crossed the Atlantic on the wings of half a million hummingbirds.”

The New York papers reached Philadelphia a week ahead of James. He came down by train in a weathered naval coat with tarnished brass buttons. A leather glove fitted with metal fixtures covered his left hand, and it clicked when he flexed his fingers.

“Are you military, sir?”

“Worse.” James adjusted the shoulder. “I’m a lawyer.”

The pirate at the desk, signing with his right hand. The left is a black metal glove.
The pirate at the desk, signing with his right hand. The left is a black metal glove.
The pirate, carried over the rooftops by hummingbirds.
The pirate, carried over the rooftops by hummingbirds.
Two visitors sit across the desk from the pirate.
Two visitors sit across the desk from the pirate.
The pirate captain in the spotlight.
The pirate captain in the spotlight.
The pirate on the rigging above Paris in a storm.
The pirate on the rigging above Paris in a storm.

Paris, 1870

The Pigeon Post

The balloon takes the birds out. The birds bring the answers home on film no bigger than a fingernail, and a lantern throws each page eight feet high on the wall.

The lantern throws a page of Le Petit Journal on the wall of the Café de la Régence.
The lantern throws a page of Le Petit Journal on the wall of the Café de la Régence.
A lecture at the café, with a balloon over Paris in the window.
A lecture at the café, with a balloon over Paris in the window.
Microfilm dispatches in a besieged city.
Microfilm dispatches in a besieged city.
Reading the film through a lens.
Reading the film through a lens.
Nadar’s studio: the punched-card machine.
Nadar’s studio: the punched-card machine.

The Record

The siege
September 19, 1870, to the armistice of January 28, 1871.
The first balloon
The Neptune left Montmartre on September 23, 1870, with its pilot Duruof alone aboard and 125 kilograms of letters and dispatches. In the novel she goes up from the Gare du Nord.
The balloons
About sixty-five more mail balloons followed the Neptune out of Paris.
The film
René Dagron reduced each page to about 11 by 6 millimeters. A single film weighed about 0.05 grams, and one pigeon could carry up to twenty.
The reading
In Paris the film was mounted on glass and thrown on a wall by magic lantern, where clerks copied out the messages.
The count
By January 28, 1871, Dagron had delivered about 115,000 messages into Paris by pigeon.

The Illustrated Scene Book

Nineteen Pages

In the order of the story. Drag the film sideways, and click a frame to read the page.

  1. 01
    The Delivery and the Reptile Leather Case
    The Delivery and the Reptile Leather Case
  2. 02
    Dora Jordan and the Lafferty Legend
    Dora Jordan and the Lafferty Legend
  3. 03
    James at the Gaiety: The Terrified Boy
    James at the Gaiety: The Terrified Boy
  4. 04
    James, the Elephant Calf, and the Spyglass
    James, the Elephant Calf, and the Spyglass
  5. 05
    James and the Sick Elephant Calf
    James and the Sick Elephant Calf
  6. 06
    The Queen and the Skyward Dirigible
    The Queen and the Skyward Dirigible
  7. 07
    New York: The Astor Opera House
    New York: The Astor Opera House
  8. 08
    The Pirate and His Scarred First Mate
    The Pirate and His Scarred First Mate
  9. 09
    James at His Father’s Funeral
    James at His Father’s Funeral
  10. 10
    The Earlier GML Summons in London
    The Earlier GML Summons in London
  11. 11
    The GML Notice and Atlantic Departure
    The GML Notice and Atlantic Departure
  12. 12
    The Balloon Launch at the Station
    The Balloon Launch at the Station
  13. 13
    The Pigeon Microfilm and Lantern Projection
    The Pigeon Microfilm and Lantern Projection
  14. 14
    Neptune Takes Flight
    Neptune Takes Flight
  15. 15
    The Woman Above the Arc
    The Woman Above the Arc
  16. 16
    Prussian Guns: One Propeller
    Prussian Guns: One Propeller
  17. 17
    The Forced Landing
    The Forced Landing
  18. 18
    The Field: A Promise and an Heirloom
    The Field: A Promise and an Heirloom
  19. 19
    The Second Delivery in Paris
    The Second Delivery in Paris

Theatre Royal of the Imagination

The Programme

Get Me Lafferty! · thirty-one chapters and an epilogue

Dublin

  1. 1The Delivery
  2. 2Fitting Day
  3. 3The Birth of a Legend
  4. 4The Years Between
  5. 5The Seat

Paris, Prussia & the Zoos

  1. 6The Caricaturist
  2. 7The Legion
  3. 8The Hippo Year
  4. 9The Rotonde
  5. 10The Frame
  6. 11The Exchange

London, 1851

  1. 12The Messenger
  2. 13The First Guest
  3. 14Elliot’s Plan
  4. 15Exhibition Day
  5. 16The Hummingbird House
  6. 17The Tribute

America

  1. 18The Son of Philip Pulitzer
  2. 19The Man in the Painting
  3. 20The Decision
  4. 21The Grudge and the Road to Paris

Paris Under Siege

  1. 22The Studio
  2. 23The Café
  3. 24The Gare du Nord
  4. 25Wall of Words
  5. 26Night Watch
  6. 27The Weight of Letters
  7. 28The Machine Nadar Denied
  8. 29The Crossing of the Lines
  9. 30The Field
  10. 31The Second Delivery
  11. 32Epilogue

Dramatis Personae

The Cast

As they appear in the manuscript.

James Lafferty

The Legend

From his seventh birthday he sits in the third seat from the aisle in the front row of the Gaiety Theatre and learns every play by heart. The winter the flu empties the dressing rooms, he plays Romeo and Juliet both.

Arthur Lafferty

Attorney, Whitmore Lane

Forty-five, short and balding, in a coat turned once at the cuffs. He works his felt hat around by the brim a quarter turn at a time. “Yes, but I don’t try cases.”

Dora Jordan

Of the Gaiety

For three decades she built a career out of a freckle-faced tomboy, with homespun cotton stuffed in her cheeks and dabs of French rouge. When she wants a table she climbs onto a chair, because a table would be vulgar in her own house.

Mrs. Flippers

Dora Jordan’s Housekeeper

She brings a calling card in on a silver tray held out at the full length of her arm, and she squares an RSVP against the hall table twice before she lets a man in.

Sean Flannigan

Owner of the Gaiety

He struts down the aisle as a fourteenth-century Turkish chieftain in a silver-embroidered purple cloak, with tangerine war paint flecked with spangles around his eyes.

Nadar

Photographer and Balloonist

Very tall, in a gray flannel shirt with the sleeves rolled to the elbow and a National Guard képi pushed back on hair that had been copper red. His name runs across his building on the Boulevard des Capucines in letters taller than a man.

René Dagron

Microphotographer

Small and spare, in a leather apron squared at the corners, with his spectacles low on his nose and chemical stains on his fingers. Every tool on his bench lies parallel to the edge.

Jules Verne

Typesetter

He sets type for a living and keeps a composing stick in his pocket. He and Nadar founded a society for flying machines.

Auguste Bartholdi

Lieutenant, Reader of Letters

He puts his name down first to read the films by lens. He reads a letter to a baker, a letter to a priest from his mother, and a letter to a man from his creditor, all in the same voice.

Joseph Pulitzer

Of Budapest

At sixteen he is six feet tall and thin, with spectacles and a long nose, and he reads three newspapers a day. By the spring after his father’s funeral he can recite Hamlet in English and in Hungarian.

John Gould

Ornithologist

Forty-six and broad in the shoulders, on his knees with his coat off, working a chamois over the bottom edge of a glass case. The backs of his hands are stained brown to the wrist.

Barnaby Coyle

Of the Gaiety

A long, loose-jointed man of forty who comes in without knocking on his way to the theater, eating roast chestnuts out of a paper cone.

Also Appearing
Charles Carrington · Murchom Baily of the Abbey Theatre · Isidore Geoffroy Saint-Hilaire · Prince Albert · Henry Cole · Count Zeppelin · Gildersnitch of Philadelphia · Delorme, Mercadier and the clerks of the Rue de Grenelle

Chapter One · The Delivery

Whitmore Lane

A black carriage came down Whitmore Lane and stopped at the cottage at the end of it, where the cobbles gave out into wet fields. Its lacquered panels threw back the light of its own lamps. Four bay horses snorted steam into the November air and stamped against the cobblestones. The harness leather creaked. Two brass carriage lamps burned through the fog and threw light across cracked limestone walls, and the fog came apart in slow rolls where the horses breathed into it.

Arthur Lafferty put his eye to a gap in the warped shutters. A cloaked figure was climbing down from the driver’s bench. Inside the carriage, behind the window glass, sat a second man in formal morning dress. Lafferty’s fingers closed around the iron poker he kept beside the door.

The first knock moved the door in its frame and shook grit down from the lintel.

Lafferty opened it the width of one bloodshot eye. “You’ve come to the wrong address,” he called through the gap. “Return to wherever you came from.”

The cloaked figure raised his lantern. “You are Arthur Lafferty, are you not?”

The poker clattered to the floor. “I am Arthur Lafferty,” he said, and pushed his hands into the pockets of his patched wool coat.

“The attorney?”

“Yes, but I don’t try cases,” Lafferty said. It was his standard disclaimer, offered alike to strangers, clients, and creditors.

The coachman withdrew a black metal rod from his cloak and flicked his wrist. The rod telescoped out into a switch the length of a buggy whip. The crack came back off the cottage wall a half second later, and a dog began barking somewhere out in the fields.

The carriage door opened and the formally dressed man stepped down. His pinstriped morning coat showed no wrinkle from the journey. A gray silk cravat encircled his throat. A black top hat sat level on his narrow skull. Under his left arm he carried a leather valise stamped with the letter H above an engraved hammer wreathed in smoke.

He crossed the uneven stones in a straight line, his polished boots striking each one with the same force, and halted two yards from Lafferty. His heels clicked together.

“I am Mr. Charles Carrington,” he announced. “Attaché to Lord Hephaestus, proprietor of Hephaestus Blacksmith and Optical Instruments. I am at your service.”

Whitmore Lane at that hour smelled of wet ash, boiled cabbage, and the ditch behind the fields. His facial topography glared with gravestone eyes locked in canyons of cold contempt, and he kept them on Lafferty’s face.

“I’ve purchased nothing,” Lafferty said. “There must be a second Arthur Lafferty. It’s a common enough name.”

Carrington raised one gloved hand. Behind him a third man came out of the fog, a workman in brown corduroy and a canvas apron, carrying a polished oak box level in both hands and watching the box instead of the ground.

The workman set the box down on a cracked stepping stone. From his vest pocket Carrington produced a small purse of amber silk with a golden drawstring. The outline of a key showed through the fabric. He handed it to the workman, who took out a pewter key and unlocked the brass fittings.

Inside, on royal blue velvet, lay a cylindrical case of reptilian leather. Ivory beads formed zigzag patterns across its surface. Brass buckles secured the closure. It was about eighteen inches long.

The workman lifted the case by its strap and held it out. Thunder rolled off toward the Liffey. The horses pulled against their traces and the lamp flames leaned over inside their glass.

Lafferty kept his hands where they were. “If this is a delivery, I’ll want to see the invoice. I can’t accept goods I haven’t the means to pay for.”

“There is no invoice,” said Carrington.

“Then a receipt. Something I might sign, stating the condition it arrived in. If the contents prove damaged, I won’t be held -“

“There is no receipt.”

The case hung in the air between them. The workman’s left eye twitched.

Lafferty took it in both hands. “I’ll not be the man who drops it,” he said.

The leather was warm despite the November cold, and the ivory beads clicked against each other.

Five Generations

The Lafferty Series

One family, from a Dublin doorstep in the 1830s to Coney Island in the 1910s.

Get Me Lafferty! cover

Get Me Lafferty!

A spyglass, a Dublin legend, and the siege of Paris.

Coming Soon

Pachydermic Supremacy cover

Pachydermic Supremacy

P. T. Barnum buys Jumbo, and a small man from Dublin named Abe Lafferty walks him to the ship.

Coming Soon

Born on the Moon cover

Born on the Moon

Coney Island, Dreamland, and the Elephant Hotel.

Coming 2027 · Visit the site ›

The Author

Frank!

Frank has been writing fiction for about fifty-five years. He worked as a newspaper reporter, studied philosophy, and publishes Collector Network, a print trade paper covering antiques, collectibles and auctions.

The Lafferty Series began with a single fact. In 1881 a man named James V. Lafferty built a wooden elephant you could walk inside, near Atlantic City. Frank gave him a family, and the family took five generations to tell.

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